Brand Promise Jargon

Maybe those three words, “brand, promise, jargon” don’t jangle your nerves, but they do mine. I think it’s because slick jargon is hiding some important stuff I want to talk about. Stuff like, expectations, conversations, identity, reality, work, friendship and why the heck am I, Ms Hermit, spending so much time on social media?

The first thing I want to say is, You are NOT your brand.

It’s kind of complicated.

Any time you venture online you are creating people’s perception of you — and how they perceive you is your brand.

But, did you read the word I used? You are creating people’s perception of you. Whether you’re conscious of it or not, whether you believe you’re being completely unfiltered or not, what and how you share information about yourself (and that information includes how you behave) creates a version of you online. That version of you is your brand. It’s what services like Klout purport to measure.

This version of you deserves to be called your brand when you look at it and see that it is the value proposition you’re putting to people. This brand tells people it is worth their time, their attention, heck, maybe even their money, because it offers them … Well, what are you offering them? This is where brand morphs into promise.

And this is the point where I think it’s important to remember that you are not your brand. You are so much more than your brand. But there is only so much of you that you want to give away — promise — to others. This is why being conscious of the version of you that you’re putting out there is vital. People will (mostly) respect your boundaries, but you need to define those boundaries.

On the flipside, people will build expectations around your brand. They will believe your promises. So you need to make promises you can keep.

Brand You … oh jargon, how I hate thee … Brand You is not a false identity. Well, I guess it could be, but this is my take on it. Brand You is genuine. It is you, but it’s also you knowing that you’re creating yourself. It is you self-aware and acting with purpose. It is you wanting something: friendships, conversations, to share knowledge, to sell your music, books or paintings, to take a journey (literal or figurative), to amuse and be amused.

The reason why people talk so much about brand is because it’s an effective tool in the “look at me! look at me!” world of social media. There is a lot of babble, a lot of confusion, a lot of competition in social media. If you want to make genuine connections with people it really helps to offer them a coherent you. People like stories. Brand You is your story.

 

 

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Writing Advice

Yes, but…

I don’t know about you, but I’m a reluctant adopter of good advice. This is a bad trait in anyone learning a craft. There has been a ton of advice, very good advice, that I’ve read, reread and had hit me with a hammer, but which I’ve refused for years to adopt. The only person who suffered for this stupid, stubborn behaviour is me. My writing could have improved much faster.

So, I’ve introduced my stubborn brain to a new concept. A flashing neon sign that alerts it to its own stupidity. And that sign is “Yes, but…”.

When I read, hear or otherwise encounter some good writing advice and my response is “yes” because it makes a lot of sense or is said by someone I’ve learned to trust, but then followed up with “but” I’m going to take a long hard look at my response because “but” is a signal that I’m arguing with good sense.

Want an example?

I spent years (in my head) arguing against the removal of adverbs, particularly those that coloured “said”. They’re useful, I whined. I like them. They’re great words, those adverbs, and I don’t want them to feel unused and unloved. And look I’ve spotted one in this book and that book, and, and, and…

“she said stubbornly”

Yes, my rational mind knew the use of those adverbs attached to said meant my dialogue wasn’t strong enough to stand on its own, but instead of committing to rewriting and strengthening that dialogue, I hung onto those adverbs.

If I had any tech skills to speak of, I’d end this post with a flashing neon graphic:

Yes, but…

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Kiss of Snow

First up, if you’re reading this hoping for a review…sorry, though I hope to get my review up and on Goodreads soon since I really enjoyed the story. Today, instead of a review, I want to jump off Kiss of Snow to discuss series.

I’ve always loved reading books linked in a series, from Enid Blyton’s Famous Five and the Nancy Drew books to Jayne Castle’s “Harmony” SF series. But in her Psy-Changeling series, Nalini Singh juggles more than a cast of returning characters or a shared setting, she sets up a developing conflict that arcs across the series. This is so deftly handled that I’m in awe.

One of the joys of series reading is that you get to see characters who “owned” one of the earlier books in the series return as bit players. You learn how their relationship has grown. You get to see them happy together. It’s lovely. Nalini manages these walk ons in a way that supports the development of the series’ story arc, but without detracting from the focus on the romantic lead characters of the particular book.

Kiss of Snow is Hawke and Sienna’s book (though Wilder and Lara have an equally appealing romance), yet Luke and Sascha (whose romance started the series) get quality air time without detracting from this focus. In fact, by contrasting their established happiness to Hawke and Sienna’s tense relationship, the tension is underscored.

A good series takes some series plotting. Thank goodness Nalini Singh doesn’t seem set on world domination. With her plotting skills, she’d probably succeed … and then, she’d have no time to write!

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Goal, Motivation and Conflict

Deb Nemeth, my Carina Press editor, recommended “Goal, Motivation and Conflict. The Building Blocks of Good Fiction” by Debra Dixon. All I can say is, good karma to the two Debs :)

“Goal, Motivation and Conflict” gives you a framework to deal with your story’s conflict, making it coherent and tight.

On the other hand, the GMC framework isn’t rigid or prescriptive. When you stop to consider it, your characters do have internal and external goals, motivations and conflicts. Explicitly studying them and checking that they’re robust is just commonsense — sadly, commonsense sometimes takes a holiday in my life ;)

If you can grab a copy of GMC, I thoroughly recommend it. But don’t trust me, trust Deb!

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Romance Industry News

Eavesdrop on the Frankfurt Book Fair and publishing’s future.

Open call: Carina Press is looking for science fiction novellas — holiday themed — for 2012 publication. They’ll be edited by Angela James.

Darlings, I love your hats! but … are you wearing them at the right time? Patricia Wrede has an excellent article on author professionalism (me, I’d call it managing your own expectations, and the hats are a way of doing so).

You might have heard me shrieking about this around the Net. Carina Press has released A Clockwork Christmas for early reviews via Netgalley.com. I’m in love with this anthology that I’m lucky enough to be part of. Great editor, wonderful cover, brilliant and supportive fellow authors, the stories are amazing. All I need now are happy readers and 2011 will be a blessed year. If you’re a reviewer who’d like to review A Clockwork Christmas, the link is to a pop-up, http://netgalley.com/index2.php?module=catalog&genre=&type=4&txt=Carina or you can browse via “publisher: Carina” at NetGalley.

Growing your blog community — aimed at small business, but useful info for all bloggers.

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Writing Advice

Typically, Tuesdays have been for writing updates. However, there are only so many times when I can say “writing happily” before it gets boring. So, while I continue writing happily, I will share some advice, or thoughts, on the process every Tuesday. Of course, if I have any fabulous writing news, I’ll ditch the advice in favour of the news. I love sharing good news–mine or other people’s. Celebrations brighten life.

My advice today is simple: Believe in your dream.

I know that sounds like an over-used cliche, but there is an inferno of energy in the heart of it, so keep reading.

A few weeks ago, I was reading “The Heart of Christianity” by Marcus J Borg. Relax, I’m not going to discuss religion. I want to discuss a word he uses. That word is “believe“.

According to Borg, the Latin origins of “believe” mean “to give one’s heart to”.

When you give your heart to something you prize it, you commit to it, you love it. The result is your energy aligns behind that promise you make to yourself.

I’ve given my heart to writing stories that bring joy to people.

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Writing Update

So, how do you find more time for your writing?

I’m not talking about finding time to write. I know that can be a struggle on its own, but I’m taking that struggle for granted. You write, probably daily, but where do you find the time to write a project that’s not on your schedule?

Yeah, that’s what I’m talking about: a huge To Do list and a new idea knocks at your brain demanding thought and…writing.

Do you make time for the new idea or table it and promise you’ll get back to it? and is your answer dependent on the nature of the project?

I have two ideas floating around. One for a poem. The other (remarkably) for a literary short story. Theoretically I’d think I could squeeze them in. In reality, I’m finding by the time I finish writing what I’ve absolutely promised myself will get done, my brain’s fried.

This isn’t a whinge, just wondering if anyone has any strategies for squeezing more into their writing time.

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Romance Industry News

Rachelle Gardner (whose name I consistently mispell–apologies) has a useful post on Writing Rules are Just Tools.

Head over to Nicole Murphy’s blog if you want to discuss Aussie spec fiction. She has an overwhelming number of links to thoughtful posts and podcasts on the topic.

How do you get a forum party started? I’ve been posting sporadically over at the Carina Press subforums at eHarlequin, but they’re really quiet. I find this quiet nearly impossible to believe since on Twitter and elsewhere Carina authors — let alone readers — can hardly be described as quiet. Funny, loud, informed, generous, friendly … all those describe them, but “quiet”? Boggles my mind. I’m wondering if it might be that the lack of an auto-prompt along the lines of “so&so has just responded to your comment” would increase engagement? Things to think of on my own blog — and yours!

Maria Zannini has a great post on friends with benefits — she’s talking networking! and if you read the post, you’ll discover why mentioning L D Masterson is good karma.

Winners of the Romance Writers of Australia awards are here. Congrats to everyone :)

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Romance Industry News

Jessica Hart, who writes wonderful Harlequin category romances, shares ten top tips for that all important first chapter.

Since social media seems a vital part of being an author (I comfort myself with the reflection that even Charles Dickens went on the lecture circuit), I’m including Darren Rovel’s 100 Twitter tips. They’re good.

Ilona Andrews, whose books I love, raises an important issue — author stress. Being an author, a hell of a lot of stuff is outside our control. We have to learn to live, and even thrive, with that uncertainty.

Angela James, Executive Editor, Carina Press, asks whether readers enjoy “exotic” locations and which locations they consider exotic. Fascinating to me as a reader in Australia because the common US and UK settings are, to me, exotic :)

I’ve run out of time this week (“here, Time, pretty Time. Are you under the sofa cushions? Hiding in the laundry basket?”), but when I find some, I need to look into Amazon’s new social network.

It’s the Romance Writers’ of Australia conference this weekend — and I won’t be there. I’ll miss meeting so many great people. Fortunately, for those of us who couldn’t make the trip, there is also a Clayton’s Conference — a weekend long, online gathering of RomAus members who are feeling sociable (and envious) and eager to chat. Oh, and perhaps, write! I’m looking forward to it. :)

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Writing Update

I’m sure having this much fun writing has to be illegal! I love re-inventing West Australian history, weaving it into what really happened. I’m such a history nerd :)

The painting by Franz Marc is shared just because I love it.

Franz Marc 025

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